Saturday, 21 June 2025

Horror Express


 Horror Express (Spanish: Pánico en el Transiberiano, lit. "Panic on the Trans-Siberian")[4] is a 1972 science fiction horror film directed by Eugenio Martín. It stars Christopher Lee and Peter Cushing, with Alberto de Mendoza, Silvia Tortosa, Julio Peña, George Rigaud, Ángel del Pozo, and Telly Savalas in supporting roles.


Horror Express



Directed by

Eugenio Martín

Screenplay by

Arnaud d'Usseau

Julian Zimet

(as Julian Halevy)

Story by

Eugenio Martín

Produced by

Bernard Gordon

Starring

Christopher Lee

Peter Cushing

Telly Savalas

Cinematography

Alejandro Ulloa

Edited by

Robert C. Dearberg

Music by

John Cacavas

Production

companies

Granada Films

Benmar Productions

Scotia International[1]

Distributed by

Regia Films Arturo González (Spain)[2]

Gala Film Distributors (UK)[1]

Release dates

30 September 1972 (Sitges)

30 November 1973 (New York)[3]

Running time

90 minutes

Countries

Spain

United Kingdom

Language

English

Budget

$300,000

Box office

755,542 admissions (Spain)[2]

Set in 1906, the film's storyline follows the various passengers aboard a European-bound Trans-Siberian Railway train. They are soon stalked, one by one, by an alien intelligence inhabiting the frozen body of an ancient primitive humanoid brought onboard by an anthropologist.

Superman: The Mechanical Monsters 1941


 

Superman: The Mechanical Monsters

1941

A mad scientist unleashes robots to rob banks and loot museums. Superman saves the day. Animation by Steve Muffati and George Germanetti. Music by Sammy Timberg. Produced in 1941.


The Mechanical Monsters is the second of the seventeen animated Technicolor short films based upon the DC Comics character Superman. Produced by Fleischer Studios, the story features Superman battling a mad scientist with a small army of robots at his command. It was originally released by Paramount Pictures on November 28, 1941.

Betty Boop: Minnie The Moocher 1932


 

Betty Boop: Minnie The Moocher

1932

Minnie the Moocher (1932) is a Betty Boop cartoon produced by Fleischer Studios and released by Paramount Pictures.[1]

The cartoon opens with a live action sequence of Cab Calloway and his orchestra performing an instrumental rendition of "St. James Infirmary". Then Betty Boop gets into a fight with her strict, Yiddish speaking, Jewish parents, runs away from home with her boyfriend Bimbo, and sings excerpts of the Harry Von Tilzer song "They Always Pick on Me" (1911) and the song "Mean to Me" (1929).

The Stolen Body


 

Woody Woodpecker in Pantry Panic 1941


 

Woody Woodpecker in Pantry Panic

1941

Weatherby Groundhog predicts a cold winter and advises all the birds to fly south. But Woody Woodpecker decides to stay, and nearly starves. Animation by Alex Lovy and Lester Kline, story by Ben Hardaway and L.E. Elliott, music by Darrell Calker.

Pantry Panic is the third animated cartoon short in the Woody Woodpecker series. Released theatrically on November 24, 1941, the film was produced by Walter Lantz Productions and distributed by Universal Pictures.

Popeye for President 1956


 

1956

Popeye for President

Classic cartoon, 1950s, popeye

Popeye and Bluto are both running for president. They are tied with exactly the same number of votes, but Miss Olive Oyl has yet to cast her ballot. Which candidate will be able to impress her the most and earn her precious vote?

Scales & Tails

 The bell above the door of "Scales & Tails" chimed with a sickly, metallic tang, a sound that always made Rico’s teeth itch. He glanced up from scrubbing the stubborn grime off the reptile enclosures. His wife, Maria, was behind the counter, her face a mask of polite boredom as she helped a woman select a feeder mouse for her snake.


Rico hated this place. He hated the smell of sawdust and fish flakes, the constant chirping of crickets, and the way Mr. Abernathy, the owner, watched them with those unsettlingly bright, bird-like eyes.

Rico and Maria were trying to make a new start. Fresh out of prison for a robbery gone wrong, Rico was determined to stay on the straight and narrow. Maria, loyal to a fault, had waited for him, and together they’d scraped together enough money for a deposit on this cramped apartment above the laundromat. Mr. Abernathy had been their only option for work. No questions asked, no background checks. That should have been a red flag, but they were desperate.

Abernathy himself was a strange bird. He was a gaunt man with skin stretched taut over his skull, making him look perpetually surprised. He claimed to be a retired veterinarian, but the way he handled the animals felt clumsy, more like a scientist poking at specimens than a caregiver. He spent most of his time in the back room, a place strictly off-limits to Rico and Maria. He’d told them it was for “sensitive procedures” and “quarantining new stock.” They suspected it was just a glorified nap room.

But lately, things felt different. Abernathy had started staring at them, not with the detached curiosity of before, but with a disturbing intensity. He kept asking them strange questions: how much sleep they got, what they ate, how they felt. He even offered them vitamins, weird, oversized capsules that tasted faintly metallic. Maria refused to take them, but Rico, wanting to be a good employee, swallowed them down with a grimace.

One night, Rico woke up soaked in sweat, a terrifying dream clinging to the edges of his mind. He’d been in a cage, surrounded by chirping crickets and the stink of ammonia. Abernathy had been there, his eyes glowing with a feverish light, injecting him with something through the bars. He tried to shake it off, blaming it on the stress of adjusting to life on the outside.

But the dreams persisted, growing more vivid, more real. He started experiencing strange physical symptoms too: fleeting moments of disorientation, phantom pains in his limbs, and an overwhelming urge to burrow.

Maria noticed the change. "You're acting weird, Rico," she said one evening, her eyes filled with worry. "You're jumpy, you're talking in your sleep… You're like a different person."

That’s when Rico decided to investigate the back room.

He waited until Abernathy left for the night, locking the door behind him as usual. Maria stood guard at the front, a nervous watchman against the chime of the bell. Rico took a deep breath and inserted a bobby pin into the complex lock. His fingers, rusty from disuse, worked with surprising dexterity. Finally, with a soft click, the door swung open.

The air inside was thick with the smell of formaldehyde and something else… something acrid, like burnt flesh. The room was a grotesque parody of a veterinary clinic. Surgical instruments lay haphazardly on a steel table, stained with dried blood. Jars filled with murky fluids sat on shelves, containing what looked disturbingly like human organs.

Then he saw the cages.

They were animal cages, but larger, reinforced with steel bars. And inside… inside were the remains of animals twisted and contorted into unnatural shapes. A rabbit with too many limbs, a dog with eyes that glowed like embers, a cat that hissed with a voice too deep for its size.

Rico’s blood ran cold. He stumbled back, his hand landing on a stack of notebooks. He opened one, his heart hammering against his ribs. The pages were filled with meticulous notes, diagrams, and equations. The heading on the first page read: "Project Chimera: Subject Acquisition & Integration."

He flipped through the pages, his eyes scanning the dense text. Abernathy wasn't just experimenting on animals. He was experimenting on people. He was trying to create… something else.

He found a section detailing the vitamins Abernathy had been giving him. They weren't vitamins at all. They were a cocktail of hormones and gene-altering compounds, designed to slowly transform his DNA, to… integrate him with animal DNA.

He understood now. The dreams, the physical changes, the disturbing impulses… He was being changed, twisted into something monstrous.

He slammed the notebook shut and turned, desperate to escape. But as he reached the door, he heard a soft click behind him.

Abernathy stood in the doorway, a syringe in his hand. His eyes gleamed with an unholy light. "Disappointing, Rico," he said, his voice barely a whisper. "I had such high hopes for you. But you had to go and spoil the surprise."

Rico lunged, but Abernathy was faster. He jabbed the syringe into Rico’s arm, and a searing pain ripped through his veins.

He stumbled back, clutching his arm. He felt a burning sensation spreading through his body, a terrifying transformation taking hold. He looked down and saw his hands, his skin rippling, scales forming, fingers elongating into claws.

Maria burst into the room, her eyes wide with horror. She screamed, a sound that echoed through the pet shop like a dying animal. Abernathy turned to her, a cruel smile playing on his lips.

"Ah, Maria," he said. "The perfect companion for my new creation. Perhaps… we can integrate you as well."

But Maria wasn't going to be a subject. She grabbed a heavy metal feeding bowl from the counter and hurled it at Abernathy's head. He crumpled to the floor with a sickening thud.

Rico watched, his mind reeling, his body changing. He was no longer Rico. He was something else, something monstrous, a horrifying amalgamation of human and animal.

He roared, a sound that was both guttural and human, a sound of pain and rage. He wanted to attack, to tear Abernathy apart. But he also wanted to protect Maria.

He staggered out of the room, Maria following close behind, her hand outstretched. They fled the pet store, leaving behind the cages, the jars, and the twisted remains of Abernathy's experiments.

They disappeared into the night, two fugitives, one human, one… something else. They knew they could never go back. They were on the run, hunted by the authorities, and haunted by the terrifying reality of their transformation.

And somewhere in the darkness, the experiment continued, the terrifying legacy of Scales & Tails living on in the monstrous creature that Rico had become. They would never truly be free, forever trapped in the grotesque chimera of Abernathy's twisted dreams. The bell above the door of "Scales & Tails" remained silent, but the horror within would echo through the shadows for years to come.

photo
Mark Antony Raines
Ghostman at  Comedy Friendly Zombie Production Ltd
Mark Antony Raines aka ghostman


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