must go down to the scary, steep seas again, to the lonely, stunning, super sea
I must go down to the sunny, sweaty seas again, to the lonely, south, stupid sea
I must go down to the stinky, super seas again, to the lonely, soft, silly sea
I must go down to the silly, southern seas again, to the lonely, slow, sunny sea
I must go down to the sweet, stormy seas again, to the lonely, sweaty, scrummy sea
I must go down to the strange, spiffing seas again, to the lonely, stormy, sexy sea
I must go down to the stunning, slimy seas again, to the lonely, sad, smart sea
I must go down to the smart, scrummy seas again, to the lonely, single, smelly sea
I must go down to the south, slender seas again, to the lonely, southern, silent sea
I must go down to the slow, stupid seas again, to the lonely, sparkling, sweet sea
I must go down to the sad, sexy seas again, to the lonely, slippery, spiffing sea
I must go down to the smooth, silent seas again, to the lonely, strong, slimy sea
I must go down to the smelly, strong seas again, to the lonely, scary, slender sea
I must go down to the single, soft seas again, to the lonely, stinky, smooth sea
I must go down to the slippery, small seas again, to the lonely, small sea
Sunday, 1 May 2022
I must
Cowardly Alien A Screenplay by GHOSTMAN
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Cowardly Alien
A Screenplay by GHOSTMANINT. HATFIELD HOUSE, ENGLAND - AFTERNOON
Brave private detective MS MOLLY WILSON is arguing with modest police officer PROF SHANE WILLIAMS. MOLLY tries to hug SHANE but he shakes her off.
Please Shane, don't leave me.
I'm sorry Molly, but I'm looking for somebody a bit more brave. Somebody who faces her fears head on, instead of running away.
I am such a person!
SHANE frowns.
I'm sorry, Molly. I just don't feel excited by this relationship anymore.
SHANE leaves.
MOLLY sits down, looking defeated.
Moments later, helpful author LADY HARRIET NOLAN barges in looking flustered.
Goodness, Harriet! Is everything okay?
I'm afraid not.
What is it? Don't keep me in suspense...
It's ... an alien ... I saw an evil alien terrorise a bunch of elderly ladies!
Defenseless elderly ladies?
Yes, defenseless elderly ladies!
Bloomin' heck, Harriet! We've got to do something.
I agree, but I wouldn't know where to start.
You can start by telling me where this happened.
I was...
HARRIET fans herself and begins to wheeze.
Focus Harriet, focus! Where did it happen?
Tower Bridge, London! That's right - Tower Bridge, London!
MOLLY springs up and begins to run.
EXT. A ROAD - CONTINUOUS
MOLLY rushes along the street, followed by HARRIET. They take a short cut through some back gardens, jumping fences along the way.
EXT. TOWER BRIDGE, LONDON - SHORTLY AFTER
JAMES KOWALSKI a cowardly alien terrorises two elderly ladies.
MOLLY, closely followed by HARRIET, rushes towards JAMES, but suddenly stops in her tracks.
What is is? What's the matter?
That's not just any old alien, that's James Kowalski!
Who's James Kowalski?
Who's James Kowalski? Who's James Kowalski? Only the most cowardly alien in the universe!
Blinkin' knickers, Molly! We're going to need some help if we're going to stop the most cowardly alien in the universe!
You can say that again.
Blinkin' knickers, Molly! We're going to need some help if we're going to stop the most cowardly alien in the universe!
I'm going to need stakes, lots of stakes.
James turns and sees Molly and Harriet. He grins an evil grin.
Molly Wilson, we meet again.
You've met?
Yes. It was a long, long time ago...
EXT. A PARK - BACK IN TIME
A young MOLLY is sitting in a park listening to some piano music, when suddenly a dark shadow casts over her.
She looks up and sees JAMES. She takes off her headphones.
Would you like some chocolate?
MOLLY's eyes light up, but then he studies JAMES more closely, and looks uneasy.
I don't know, you look kind of cowardly.
Me? No. I'm not cowardly. I'm the least cowardly alien in the world.
Wait, you're a alien?
MOLLY runs away, screaming.
EXT. TOWER BRIDGE, LONDON - PRESENT DAY
You were a coward then, and you are a coward now.
(To MOLLY) You ran away?
(To HARRIET) I was a young child. What was I supposed to do?
MOLLY turns to JAMES.
I may have run away from you then, but I won't run away this time!
MOLLY runs away.
She turns back and shouts.
I mean, I am running away, but I'll be back - with stakes.
I'm not scared of you.
You should be.
INT. TATE MODERN, ST IVES - LATER THAT DAY
MOLLY and HARRIET walk around searching for something.
I feel sure I left my stakes somewhere around here.
Are you sure? It does seem like an odd place to keep deadly stakes.
You know nothing Harriet Nolan.
We've been searching for ages. I really don't think they're here.
Suddenly, JAMES appears, holding a pair of stakes.
Looking for something?
Crikey, Molly, he's got your stakes.
Tell me something I don't already know!
The earth's circumference at the equator is about 40,075 km.
I know that already!
I pick my nose and eat it.
(appalled) Dude!
While JAMES is looking at HARRIET with disgust, MOLLY lunges forward and grabs her deadly stakes. He wields them, triumphantly.
Prepare to die, you cowardly aubergine!
No please! All I did was terrorise a bunch of elderly ladies!
SHANE enters, unseen by any of the others.
I cannot tolerate that kind of behaviour! Those elderly ladies were defenceless! Well now they have a defender - and that's me! Molly Wilson defender of innocent elderly ladies.
Don't hurt me! Please!
Give me one good reason why I shouldn't use these stakes on you right away!
Because Molly, I am your father.
MOLLY looks stunned for a few moments, but then collects herself.
No you're not!
Ah well, it had to be worth a try.
JAMES tries to grab the stakes but MOLLY dodges out of the way.
Who's the daddy now? Huh? Huh?
Unexpectedly, JAMES slumps to the ground.
Did he just faint?
I think so. Well that's disappointing. I was rather hoping for a more dramatic conclusion, involving my deadly stakes.
MOLLY crouches over JAMES's body.
Be careful, Molly. It could be a trick.
No, it's not a trick. It appears that... It would seem... James Kowalski is dead!
What?
Yes, it appears that I scared him to death.
HARRIET claps her hands.
So your stakes did save the day, after all.
SHANE steps forward.
Is it true? Did you kill the cowardly alien?
Shane how long have you been...?
SHANE puts his arm around MOLLY.
Long enough.
Then you saw it for yourself. I killed James Kowalski.
Then the elderly ladies are safe?
It does seem that way!
A crowd of vulnerable elderly ladies enter, looking relived.
You are their hero.
The elderly ladies bow to MOLLY.
There is no need to bow to me. I seek no worship. The knowledge that James Kowalski will never terrorise elderly ladies ever again, is enough for me.
You are humble as well as brave!
One of the elderly ladies passes MOLLY a gold talisman
I think they want you to have it, as a symbol of their gratitude.
I couldn't possibly.
Pause.
Well, if you insist.
MOLLY takes the talisman.
Thank you.
The elderly ladies bow their heads once more, and leave.
MOLLY turns to SHANE.
Does this mean you want me back?
Oh, Molly, of course I want you back!
MOLLY smiles for a few seconds, but then looks defiant.
Well you can't have me.
WHAT?
You had no faith in me. You had to see my scare a alien to death before you would believe in me. I don't want a lover like that.
But...
Please leave. I want to spend time with the one person who stayed with me through thick and thin - my best friend, Harriet.
HARRIET grins.
But...
You heard the lady. Now be off with you. Skidaddle! Shoo!
Molly?
I'm sorry Shane, but I think you should skidaddle.
SHANE leaves.
HARRIET turns to MOLLY.
Did you mean that? You know ... that I'm your best friend?
Of course you are!
The two walk off arm in arm.
Suddenly HARRIET stops.
When I said I pick my nose and eat it, you know I was just trying to distract the alien don't you?
or
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Where do the dead go to die _Epilogue #Horror #Mark Antony Raines #Copyright
Where do the dead go when they die Chapter III: The Mask That the Monsters Wear #Horror #Copyright Mark Antony Raines
Tommy, Ralph and Sophia, are what seems to be just normal group of children living on the same block of flats .
But each for reasons of their own have demon stalking with the ability to talk, it is jet black and has glowing red eyes the dog calls itself Happy and it job every night is to take them through a hellish ride through dimensions and time via the using an old abandoned well.
Chapter III:
The Mask That the Monsters Wear
Poor Young Sophie is made to wear a mask to conceal the fact she is a Siamese twin whose Siamese twin is inside her brain and on her side of her face.
Through this perceived disability she is routinely abused and bullied both by her class mates and her family, calling her horrible names.
Sophie copes with this by having a crush on a boy named Harry who she finds cute but is too afraid to talk too.
Sophie decided to ask her father for some advice about this problem but a father being bit of a distasteful person at heart makes her watch a video of Harry being mistreated in a very horrible sexual way ,Sophie starts to cry and trying to turn her face away from the upsetting images on the screen, but her father responds by forcing her to watch it again.
Grabbing a moment of freedom Sophie runs and runs intill she reaches a abandoned well in the garden by which is Happy awaiting hus next victim.
As Sophie approached Happy he encourages her too look deeply into the abandoned well, as she gets closer she is pushed down the abandoned well by Happy.
In the well Sophie enters a different dimension where in a dreamland state were Harry asks to see Sophie s face by taking off her mask, as she does this she is surprised he is not disgusted or recoil by her different appearance.
She and Harry arrive at Harry s parents home were being made without a blink is a low budget port film by Harry s father both Harry and Sophie find this disgusting but known unfortunately this kind of thing was becoming more acceptable in society in general.
Both leave and go back up through to the top of the abandoned well and wander back to Sophie s house to which upon entering finds his father watching the very video just seen at Harry s House this triggers Sophie Siamese twin to take over her mind and as Sophie her twin goes upstairs grabs a cricket bat and takes it downstairs and walks calmly towards her father who is totally engaged in the video a d she precedes to cave his head in by repeatedly delivering heavy blows to his cranium.
After committing this horrible crime he walks to towards Harry s house with cricket bat in hand enters the house and kills Harry s father by doing to same as he had done to his father.
Sophie awakes from her trance to realise she had committed a series of cold blooded murders as her twin.
Happy then talks and says
*You how to get rid of your twin ,we have often talked about it in the past, so don't think just do*
At this prompt Sophie walks towards the kitchen a d picks up a carving knife and calmly and with full intensity proceeds to place the carving knife to her face and cuts her twins face off.
Plastic Bertrand Song from Punk to children s advert song
Plastic Bertrand was later now heard on a advert aimed at children how times change
Gît sur mon lit a bouffé sa langue en buvant dans mon whisky
Quant à moi, peu dormi, vidé, brimé
J'ai dû dormir dans la gouttière, où j'ai eu un flash (hou-hou-oou-oou!)
En quatre couleurs
Poupée de Cellophane, cheveux chinois
Un sparadrap, une gueule de bois
A bu ma bière dans un grand verre en caoutchouc (hou-hou-oou-oou!)
Comme un indien dans son igloo
Ça plane pour moi
Ça plane pour moi, moi, moi, moi, moi, ça plane pour moi
(Hou-hou-oou-oou!) ça plane pour moi
Quel panard, quelle vibration de s'envoyer sur le paillasson
Limée, ruinée, vidée, comblée
"You are the king of the divan!"
Qu'elle me dit en passant (hou-hou-oou-oou!)
I am the king of the divan
Ça plane pour moi
Ça plane pour moi, moi, moi, moi, moi, ça plane pour moi
(Hou-hou-oou-oou!) ça plane pour moi
It's not today que le ciel me tombera sur la tête
Et que l'alcool me manquera
(Hou-hou-oou-oou!)
Ça plane pour moi
Enfin c'est marre, a tout cassé, l'évier, le bar me laissant seul
Comme un grand connard
(Hou-hou-oou-oou!)
Le pied dans l'plat
Ça plane pour moi
Ça plane pour moi, moi, moi, moi, moi, ça plane pour moi
(Hou-hou-oou-oou!) ça plane pour moi
Ça plane pour moi
Ça plane pour moi, moi, moi, moi, moi, ça plane pour
As Plastic BertrandEdit
In 1977, Plastic Bertrand started his solo career as the credited artist of the international hit single "Ça plane pour moi", though in fact the song had been sung and produced by its composer Lou Deprijck with the engineer Phil Delire for RKM/Vogue at Studio Morgan in Brussels. Plastic Bertrand received only 0.5% of the song's royalties. A few months earlier, Deprijck had cooperated with Elton Motello (aka Alan Ward), who wrote English lyrics for the same track and recorded it as "Jet Boy, Jet Girl".[3]
Plastic Bertrand toured Europe, Japan, Australia and North America with Lou Deprijck, becoming one of the few French-speaking artists to appear in the Billboard chart. He also appeared on a number of major television shows, presenting "Jackpot" on TF1, "Destination Noël" on France 2, "Due Per Tutti" on Rai 2 and "Supercool" on RTBF, which he also produced. However, Plastic Bertrand's first three albums were in fact entirely sung in the studio by Deprijck and not by Jouret.
Between 1982 and 1985 he lived in Milan, and millions of Italians followed his adventures in a photo-story of which he was the star. With Daniel Balavoine and ABBA's Anni-Frid Lyngstad, he recorded Abbacadabra, a musical tale for children. In the early 1980s he appeared in movies such as Légitime Violence and the short film Baoum. Working with Vladimir Cosma, he wrote several film scores, including Astérix et la surprise de César (Asterix Versus Caesar).
In 1987 he represented Luxembourg in the Eurovision Song Contest with the song "Amour Amour". This failed to impress the juries, however, scoring only 4 points and placing 21st out of 22 entries.
During the 1990s Bertrand explored other facets of music, including songwriting and producing, and also recorded the album Suite Diagonal for Sony in 1994 with Jacques Lanzmann. Forming the company MMD with Pierrette Broodthaers, he produced two albums for David Janssen, an album of classical music with a Turkish contemporary influence for harpsichord and organ with Leila Pinar, an album of traditional Balkan music with the Kazansky choir, and a single for Noël Godin, "Chantilly c'est parti". Bertrand's track "Stop ou Encore" (the voice on the tape is actually Lou Deprijck's voice) featured prominently in the 1999 film Three Kings.
"Ça plane pour moi" is featured in the 1985 picture National Lampoon's European Vacation, in Danny Boyle's 2010 film 127 Hours, in 2011 as the opening title theme for Jackass 3.5 (2011), in the 2012 film Ruby Sparks, in the 2013 film The Wolf of Wall Street, and in the trailer for the 2018 film Super Troopers 2. The song is also used as the soundtrack for a commercial spot for Time Warner Cable in the United States (April 2011). It is also in 2018 video game, Just Dance 2019, despite being a cover