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Sunday, 17 January 2021

Popeye the Sailor meets Sinbad the Sailor

 





Popeye the Sailor meets Sinbad the Sailor

1936

The classic tale of Sinbad the Sailor, adapted for Popeye and Olive. Featuring memorable appearances by Wimpy, Olive, and the singing two-headed monster. You can find more information regarding this film on its IMDb page







Popeye the Sailor Meets Sindbad the Sailor is a two-reel animated cartoon short subject in the Popeye series, produced in Technicolor and released to theatres on November 27, 1936 by Paramount Pictures. It was produced by Max Fleischer for Fleischer Studios, Inc. and directed by Dave Fleischer, with musical supervision by Sammy Timberg. The voice of Popeye is performed by Jack Mercer, with Mae Questel, as Olive Oyl, with Lou Fleischer as J. Wellington Wimpy and Gus Wickie as Sindbad the Sailor.

Plot

In this short, Sindbad the Sailor (presumably Bluto playing a "role") proclaims himself, in song, to be the greatest sailor, adventurer and lover in the world and "the most remarkable, extraordinary fellow," a claim which is challenged by Popeye's arrival on his island with Olive Oyl and J. Wellington Wimpy in tow. Sindbad orders his huge Roc (mythology), Rokh, to kidnap Popeye's girlfriend, Olive Oyl, and wreck Popeye's ship, forcing him and Wimpy to swim to shore. Sinbad relishes making Olive his trophy wife, which is interrupted by Popeye's arrival. Sinbad then challenges the one-eyed sailor to a series of obstacles to prove his greatness, including fighting Rokh, a two-headed giant (mythology) named Boola (an apparent parody erence to The Three Stooges), and Sindbad himself. Popeye makes short work of the bird and the giant, but Sindbad almost gets the best of him until Popeye produces his can of spinach, which gives him the power to soundly defeat Sindbad and proclaim himself "the most remarkable, extraordinary fella."
A subtly dark running gag features the hamburger-loving Wimpy chasing after a duck on the island with a meat grinder, with the intention of grinding it up so that he can fry it into his favorite dish, but the duck not only escapes, but also snatches away Wimpy's last burger in retaliation when he gives up. Many of the scenes in this short feature make use of the Fleischer's Multiplane camera process, which used modeled sets to create 3D backgrounds for the cartoon.

Release and reception

This short was the first of the three Popeye Color Specials, which were, at over sixteen minutes each, three times as long as a regular Popeye cartoon, and were often billed in theatres alongside or above the main feature. Popeye the Sailor Meets Sindbad the Sailor was nominated for the 1936 Academy Award for Animated Short Film, which it lost to Walt Disney's Silly Symphony The Country Cousin. Footage from this short was later used in the 1952 Famous Studios Popeye cartoon Big Bad Sindbad, in which Popeye relates the story of his encounter with Sindbad to his 3 nephews.
Today, this short and the other two Popeye Color SpecialsPopeye the Sailor Meets Ali Baba's Forty Thieves, and Aladdin and His Wonderful Lamp (both of which were also adapted from a story featured in One Thousand and One Nights) are in the public domain, and are widely available on home video and DVD. A fully restored version with the original Paramount Pictures mountain logo opening and closing titles is available on the Popeye the Sailor: 1933-1938, Volume 1 DVD set from Warner Bros.

THE STRANGE CATS OF KILLOUGH HEATH#HORROR COMIC


 

THE THING FROM THE SEA. #HORROR COMIC


 

HORROR THEATRE _A MIDNIGHT VISTOR BY JOHN KENDRICK BANGS #HorrorTheatre#scary








 

#ZoomvsTweet #MarkAntonyRaines


 

Saturday, 16 January 2021

Popeye the Sailor Meets Ali Baba's Forty Thieves


 


Image source: Wikimedia Foundation (wikimedia.org)
Download Movie [Video Format: MP4]
Movie Source: Internet Archive (archive.org)
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Popeye the Sailor Meets Ali Baba's Forty Thieves

1937

The classic Arabian adventure, adapted for Popeye and Olive Oyl. Cartoon originally produced in 1937 by Fleischer Studios, now in the public domain

CHAPTER 2 WISH YOU WERE HERE _A ROCK FANTASY BY JOYCE S ISAACSON. WITH PERMISSION FROM AUTHOR.


 

A PRINCESS OF MARS BY EDGAR RICE BURROUGHS CHAPTER 12 #scfi#Redcirclepodcast


 

A PRINCESS OF MARS BY EDGAR RICE BURROUGHS CHAPTER 11 #scfi#Redcirclepodcast


 

DOCTOR WHO _THE ELECTIC BODY #DOCTORWHO#NUMBER12#COMEDYFRIENDLYZOMBIELTD


 

DOCTOR WHO THE PROMISE #DOCTORWHO#4TIMELORDS#COMEDYFRIENDLYZOMBIELTD


 

A RUN IN WITH A PSYCHOPATH by Mark Antony Raines

 

It is often said that you never truly know the person you're living with and what dark secret of a skeleton they may have in the closet. 

I met my wife via a loving for love advert in the bikers magazine Back Street Heroes we talked for hours over the phone and then met up and clicked together also immediately then a few months got married.

It was a great marriage but every full moon  I noticed my wife would book herself in a remote hotel in the mountains of Scotland and I would not see her for a couple of weeks. 

I often asked why but she just said it was for  the best as she did not me to see that side to her:this made me feel a little strange and I have to admit a bit jealous of not knowing what she was up to and perhaps  I had a touch of the green eyed monster. 

So when the next full moon was due let her see me wave goodbye and after a few minutes I got on my motorbike and followed her like some spy film to the hotel in the mountains of Scotland. 

When I approached the hotel i realise it was an amazing asylum by the sign on the wall

"Meshugger Asylum for the maniac screwball s owned by Shizo  Fruitcake "

So I went up to the reception and was greeted by a lady who would have given Frankinstern  a run for his money. 

"Excuse me  i believe my wife Enid has booked a room with you for the week as a walk in patient "

"Sorry all clients information is classified I going to ask you to leave "

At this point a  couple burly man looking like a cross between a wrestler and a strongman came out of a room, walked up beside me, lifted me up and placed me outside the door and both grunted caveman-like..


"Don't come back "

I leave with my tail between my legs then as the moon rises in hear a howl which I thought sounded like a wolf but surely the wolves in England were in zoo s not its countryside .


So I run around the back of the asylum and found that the back door was wide open and I sneaked in keeping my movements cat like and keep my ears tuned to the howling ignoring the sounds coming from the other rooms that had jail like bars.


Finally he was standing outside of the door which one it said

"Inside resides person suffering from chronic mental mental disorder with abnormal or violent social behaviour "

The howling stops a wail of crying replaces it is tap on the door and cry out Enid s name.

Enid replys

"Mark darling what are you doing here I told you I never wanted to see or hear me like this "

I replied

"My darling Enid do you not wish me to honour our wedding vows to be together in sickness and health"

"Well if you insist but don't be afraid I won't bite "

With that in open the door and in front of me stood my wife completely covered head to toe in wolf's fur and half woman half wolf body along with a wagging tail.

I smiled and said dispite her outside appearance she was beautiful in the inside and next time she was to say at home with me..

As the fairytale s ending always say we lived happily ever after?






A Princess of Mars information about the book by Edgar Rice Burroughs

 

A Princess of Mars

A Princess of Mars is a science fantasy novel by American writer Edgar Rice Burroughs, the first of his Barsoom series. It was first serialized in the pulp magazine All-Story Magazine from February–July, 1912. Full of swordplay and daring feats, the novel is considered a classic example of 20th-century pulp fiction. It is also a seminal instance of the planetary romance, a subgenre of science fantasy that became highly popular in the decades following its publication. Its early chapters also contain elements of the Western. The story is set on Mars, imagined as a dying planet with a harsh desert environment. This vision of Mars was based on the work of the astronomer Percival Lowell, whose ideas were widely popularized in the late 19th and early 20th centuries.

A Princess of Mars
Princess of Mars large.jpg
Cover
AuthorEdgar Rice Burroughs
Original titleUnder the Moons of Mars
IllustratorFrank E. Schoonover
CountryUnited States
LanguageEnglish
SeriesBarsoom
GenreScience fantasy,
Sword and planet
PublisherA. C. McClurg
Publication date
1912 (serialized)
1917 (hardcover)
Media typePrint (hardback)
Pagesxii, 326
Followed byThe Gods of Mars 

The Barsoom series inspired a number of well-known 20th-century science fiction writers, including Jack VanceRay BradburyArthur C. ClarkeRobert A. Heinlein, and John Norman. The series was also inspirational for many scientists in the fields of space exploration and the search for extraterrestrial life, including Carl Sagan, who read A Princess of Mars when he was a child.

More information -https://en.m.wikipedia.org/wiki/A_Princess_of_Mars

Betty Boop: Minnie The Moocher


 

Betty Boop: Minnie The Moocher

1932

Minnie the Moocher (1932) is a Betty Boop cartoon produced by Fleischer Studios and released by Paramount Pictures.[1]

The cartoon opens with a live action sequence of Cab Calloway and his orchestra performing an instrumental rendition of "St. James Infirmary". Then Betty Boop gets into a fight with her strict, Yiddish speaking, Jewish parents, runs away from home with her boyfriend Bimbo, and sings excerpts of the Harry Von Tilzer song "They Always Pick on Me" (1911) and the song "Mean to Me" (1929).

Betty and Bimbo end up in a cave where a walrus, with Cab Calloway's voice, sings "Minnie the Moocher" and dances to the melancholy song. Calloway is joined in the performance by various ghosts, goblins, skeletons, and other frightening things. Betty and Bimbo are subjected to skeletons drinking at a bar; ghost prisoners sitting in electric chairs; a mother cat with empty eye-sockets feeding her equally empty-eyed kittens; and so on. Betty and Bimbo both change their minds about running away and rush back home with every ghost right behind them. Betty makes it safely back to her home and hides under the blankets of her bed. As she shakes in terror, the note she earlier wrote to her parents tears, leaving "Home Sweet Home" on it. The film ends with Calloway performing the instrumental "Vine Street Blues".

Underlying Work: PD U.S. | Digital Copy: No Additional Rights

Woody Woodpecker in Pantry Panic


 

Woody Woodpecker in Pantry Panic

1941

Weatherby Groundhog predicts a cold winter and advises all the birds to fly south. But Woody Woodpecker decides to stay, and nearly starves. Animation by Alex Lovy and Lester Kline, story by Ben Hardaway and L.E. Elliott, music by Darrell Calker.

Pantry Panic is the third animated cartoon short in the Woody Woodpecker series. Released theatrically on November 24, 1941, the film was produced by Walter Lantz Productions and distributed by Universal Pictures.
Woody stays behind to swim while the other birds in the forest migrate south for the winter. Just after the other birds leave, the cold of winter sets in instantly, to the point that Woody's swimming hole freezes solid after he jumps in ("Must be hard water", he remarks). Woody does not worry, because he has stored up plenty of food. However, a snow storm enters his house and makes off with all of his possessions, food included.
Two weeks later, Woody is delusional and literally staring starvation, personified as something vaguely resembling the Grim Reaper, in the face. A month later, a hungry cat happens upon Woody's cabin, breaks the 4th wall, and conspires to eat the woodpecker. The famished Woody, however, plans just as quickly to eat the cat, and the two have at it. Eventually a moose appears at Woody's open door, and the starving cat and woodpecker chase after it to capture and eat it. Afterwards, however, the meal proves not to be enough to satisfy both Woody (whose voice is suddenly much different) and the cat, who instantly resume their game of trying to eat each other.
Voices
Danny Webb was the voice of Woody Woodpecker; the Cat and the Moose, and bird voices were likely done by Sara Berner, Bernice Hansen, Jack Mercer, Pinto Colvig, and Mel Blanc.[citation needed]
Production notes
Like most of the early 1940s Lantz cartoons, Pantry Panic carried no director's credit. Lantz himself has claimed to have directed this cartoon, which features animation by Alex Lovy and LaVerne Harding, a story by Ben Hardaway and Lowell Elliott, and music by Darrell Calker. This is also the only Woody Woodpecker cartoon (not counting Knock Knock) in which Woody's iconic laugh is not present in the opening credits before the short starts.
Pantry Panic was the third cartoon in the Woody Woodpecker series, featuring an early, garish Woody Woodpecker design. It was the first short with Danny Webb as Woody's voice. However, the woodpecker's famous laugh (provided by Mel Blanc) would continue to be recycled until 1951, when Grace Stafford rerecorded a softer version. Woody's "Guess Who?" (also Blanc), however, would continue to be used until the end of the series in 1972.[1]
Pantry Panic would be reworked in 1946 as Who's Cookin' Who?. The starvation personification would also reappear in the remake as well as 1951's The Redwood Sap. This entry is the only Woody Woodpecker cartoon in the public domain. As such, it is freely distributed, and can be downloaded from the Internet Archive and seen on YouTube.
See also

Popeye for President

 

Popeye for President

1956

Popeye and Bluto are both running for president. They are tied with exactly the same number of votes, but Miss Olive Oyl has yet to cast her ballot. Which candidate will be able to impress her the most and earn her precious vote?

Popeye for President March 30 Tom Johnson
Frank Endres Robert Connavale Jack Mercer Seymour Kneitel
In the Public Domain in the United States.
5.00
Paramount Pictures


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