Ghostman Horror-Handprints

 

Ghostman Horror-Piggyback

 

Ghostman Horror-Friends Forever

 

Ghostman Horror -Black Hair

 

Ghostmsn Horror -Human Bones

 

Ghostman Horror -White Death

 

Ghostman Horror -House on Fire

 

Ghostman Horror _City of The Dead#ghostman #horrorstories

 

Ghostman Horror short

 

Ghostman Horror_( Redang Island)#ghostman #horrorstories

 

Ghostman Short

 

Ghostman Horror short

 

@Mark Antony Raines (Ghostman) #The Cellar(2022)#Plot#Trailer#GhostmanHorror

 

@Mark Antony Raines (Ghostman) Two Horror Cartoons #Horror #Ghostman #Public Domain#

 Youtube say there is a copyright claim although  both videos are in public domain and already available on YouTube so I apologise if unable to watch in various 

The Faceless nun and The Quiet Student#GhostmanHorror

 

Ghostman Horror _Le Manoir du diable or The House of the Devil_ Full Movie_Public Domain

 

Ghostman Horror Silly Fun

 

The Wasp Woman (also known as The Bee Girl and Insect Woman)1959

The Wasp Woman (also known as The Bee Girl and Insect Woman) is a 1959 American independent science-fiction horror film produced and directed by Roger Corman. Filmed in black-and-white, it stars Susan Cabot, Anthony Eisley, Michael Mark, and Barboura Morris. The film was originally released by Filmgroup as a double feature with Beast from Haunted Cave.^[1][2] To pad out the film's running time when it was released to television two years later, a new prologue was added by director Jack Hill.

Plot

In Hill's prologue, a scientist, Dr. Eric Zinthrop (Michael Mark), is fired from his job at a honey farm for experimenting with wasps.

The founder and owner of a large cosmetics company, Janice Starlin (Susan Cabot), is disturbed when her firm's sales begin to drop after it becomes apparent to her customer base that she is aging. Zinthrop has been able to extract enzymes from the royal jelly of the queen wasp that can reverse the aging process. Janice agrees to fund further research, at great cost, provided she can serve as his human subject. Displeased with the slowness of the results, she breaks into the scientist's laboratory after hours and injects herself with extra doses of the formula. Zinthrop becomes aware that some of the test creatures are becoming violent and goes to warn Janice, but before he can reach anyone, he gets into a car accident. He is thus temporarily missing and Janice goes through great trouble to find him, eventually taking over his care.

Janice continues her clandestine use of the serum and sheds 20 years in a single weekend, but soon discovers that she is periodically transformed into a murderous, wasp-like creature. Eventually, Zinthrop throws a jar of carbolic acid at her face, and another character, using a chair, pushes her out of a high window, and falls to her death.

Bizarre Fact 

Soundtrack

The Wasp Woman's musical score, written by Fred Katz, was originally composed for the film A Bucket of Blood. According to Mark Thomas McGee, author of Roger Corman: The Best of the Cheap Acts, each time Katz was called upon to write music for Corman, he sold the same score as if it were new music.^[9] The score was used in a total of seven films, including The Little Shop of Horrors and Creature from the Haunted Sea.

Nosferatu: A Symphony of Horror (German: Nosferatu – Eine Symphonie des Grauens)

 Nosferatu: A Symphony of Horror (German: Nosferatu – Eine Symphonie des Grauens) is a 1922 silent German Expressionist horror film directed by F. W. Murnau and starring Max Schreck as Count Orlok, a vampire who preys on the wife (Greta Schröder) of his estate agent (Gustav von Wangenheim) and brings the plague to their town.

Nosferatu, eine Symphonie des Grauens
Newspaper advert
Directed by	F. W. Murnau[1]
Screenplay by	Henrik Galeen
Based on	Dracula by Bram Stoker
Produced by	Enrico Dieckmann Albin Grau
Starring	Max Schreck Gustav von Wangenheim Greta Schröder Alexander Granach Ruth Landshoff Wolfgang Heinz
Cinematography	Fritz Arno Wagner Günther Krampf (uncredited)
Music by	Hans Erdmann (1922 premiere)[1]
Production company	Prana Film
Distributed by	Film Arts Guild
Release date	4 March 1922 (Germany) [2]
Running time	63–94 minutes, depending on version and transfer speed[1]
Country	Germany
Languages	Silent film German intertitles

1:24:20

Nosferatu scoreless public domain version with English intertitles

Nosferatu was produced by Prana Film and is an unauthorized and unofficial adaptation of Bram Stoker's 1897 novel Dracula. Various names and other details were changed from the novel, including Count Dracula being renamed Count Orlok. It is believed by some that these changes were implemented in an attempt to avoid accusations of copyright infringement.^[3] However, this seems unlikely as the original German intertitles explicitly state that the film is based on the Bram Stoker novel. Film historian David Karat states in his commentary track for the film that "No source has ever documented" this claim and that since the film was "a low-budget film made by Germans for German audiences... setting it in Germany with German named characters makes the story more tangible and immediate for German-speaking viewers".

Even with several details altered, Stoker's heirs sued over the adaptation, and a court ruling ordered all copies of the film to be destroyed. However, several prints of Nosferatu survived,^[1] and the film came to be regarded as an influential masterpiece of cinema.^[4][5]

More information link-https://en.m.wikipedia.org/wiki/Nosferatu

City of The Dead (In America known as Horror Hotel -1960

 

The City of the Dead (U.S. title: Horror Hotel) is a 1960 supernatural horror film directed by John Llewellyn Moxey and starring Christopher Lee, Venetia Stevenson, Betta St. John, Patricia Jessel and Valentine Dyall. The film marks the directorial debut of Moxey.^[3] It was produced in the United Kingdom but set in America, and the British actors were required to speak with North American accents throughout.

The City of the Dead
Theatrical release poster
Directed by	John Llewellyn Moxey (as John Moxey)
Screenplay by	George Baxt
Story by	Milton Subotsky
Produced by	Seymour S. Dorner Max Rosenberg (uncredited) Milton Subotsky Donald Taylor
Starring	Christopher Lee Venetia Stevenson Betta St. John Dennis Lotis Valentine Dyall Patricia Jessel
Cinematography	Desmond Dickinson
Edited by	John Pomeroy
Music by	Douglas Gamley Ken Jones (jazz)
Production company	Vulcan
Distributed by	British Lion
Release dates	September 1960 (UK) 1961 (US)
Running time	78 minutes
Country	United Kingdom
Language	English
Budget	£45,000[1][2]

Contents

PlotEdit

In 1692 in fictional Whitewood, Massachusetts, a witch named Elizabeth Selwyn is burned at the stake. Before her death, Selwyn and her accomplice, Jethrow Keane, sold their souls to Lucifer for eternal life and revenge on Whitewood in return for providing the Devil with two yearly virgin human sacrifices on the Hour of Thirteen during Candlemas Eve and the Witches' Sabbath.

In the present day, following his lecture on witchcraft, a university history professor, Alan Driscoll, advises an interested student named Nan Barlow to visit Whitewood during her vacation to slake her interest in witchcraft by studying Whitewood's history. Nan settles in The Raven's Inn, a hotel owned by eccentric Mrs. Newless, becoming acquainted with the only normal-seeming local resident Patricia Russell, who loans her a book on witchcraft. Reading the book, Nan learns that this night is Candlemas Eve.

She is lured down to the basement and is restrained on a satanic altar by Mrs. Newless and members of her coven. Mrs. Newless reveals herself to be Elizabeth Selwyn before proceeding to sacrifice Nan.

Two weeks later, Nan's concerned fiancé, Bill Maitland, and her brother, Richard, learn The Raven's Inn does not exist in any phone directory. They are visited by Patricia, who is also concerned with Nan's disappearance. The men travel separately to Whitewood, and Bill barely survives a car crash caused by an apparition of Selwyn.

Richard reaches Whitewood and meets up with Patricia before visiting her grandfather, Reverend Russell, who reveals that Whitewood is under the control of Selwyn's coven. Soon after, Patricia is kidnapped as the coven's sacrifice, and Richard attempts to save her before they are cornered in the graveyard. Professor Driscoll is revealed to be a coven member. A severely-injured Bill arrives at the last minute and succeeds in extricating a large wooden cross from the ground. After being gravely wounded by Selwyn, Bill uses the last of his strength to burn the coven members alive under the cross's shadow. Selwyn escapes during the chaos. Her pact with the Devil has been undone by the intervention, and Richard and Patricia find her charred corpse in the hotel which was earlier revealed to have been built on the site of her burning.

ProductionEdit

The script was originally written by George Baxt as a pilot for a television series starring Boris Karloff. The producer Milton Subotsky rewrote it to be longer, including a romantic subplot about the boyfriend who goes looking for Nan after she goes missing. Financing was obtained from television producer Hannah Weinstein, along with money from the Nottingham Forest Football Club.

Production began on 12 October 1959 at Shepperton Studios with a budget of £45,000. Milton Subotsky was credited as the film's executive producer. The film was produced by Vulcan Productions, although because it was made by Subotsky and producing partner Max Rosenberg it has been considered the first of their Amicus Productions.^[2]

Deleted linesEdit

Some dialogue was removed from the American version of the film, including the following lines in the opening sequence which clarify the plot. They are retained in the original British version, which has been shown on Turner Classic Movies:

• "I have made my pact with thee, O Lucifer! Hear me, hear me! I will do thy bidding for all eternity. For all eternity shall I practice the ritual of Black Mass. For all eternity shall I sacrifice unto thee. I give thee my soul, take me into thy service."
• "O Lucifer, listen to thy servant, grant her this pact for all eternity and I with her, and if we fail thee but once, you may do with our souls what you will."
• "Make this city an example of thy vengeance. Curse it, curse it for all eternity! Let me be the instrument of thy curse. Hear me, O Lucifer, hear me!"

ReleaseEdit

U.S theatrical poster.

The City of the Dead was released in September 1960 in the United Kingdom.^[4] It was a box-office disappointment, although it did make a small profit.^[1] It was not released in the United States until 1961 under the title Horror Hotel.

LegacyEdit

Heavy metal band Iron Maiden used scenes from the film in the music video for their song "Bring Your Daughter... to the Slaughter". King Diamond also used clips in his "Sleepless Nights" video, as did punk band UFX in the video to "Bitch", while Rob Zombie used Christopher Lee's opening words to similarly preface his track "Dragula" from Hellbilly Deluxe. In addition, the punk band Misfits wrote a song called "Horror Hotel" (the American release title). In 2017, heavy metal band In This Moment also used the opening lines by Christopher Lee in their song "Witching Hour", from their album Ritual. Uncredited footage from the opening scene is used in Evil Calls: The Raven to represent the death of Lenore Selwyn (Elizabeth Selwyn in the original).